![]() His returns to the Metropolitan Opera as Father Grenville in a new production of Dead Man Walking and Utah Opera as Erik in Der fliegende Holländer have been postponed due to COVID-19, as is his role debut as Herod in Salome in a return to Houston Grand Opera. Last season, he joined the Houston Symphony for selections from Handel’s Messiah and Austin Opera for a concert of favorites. ![]() He joins Houston Grand Opera, his home company, as the Father Confessor in Dialogues des Carmélites. His bright tone amplified the intensity of the last gripping moments.” In the 2021-22 season, he returns to the Metropolitan Opera as the Loud Stone in Aucoin’s Eurydice and Third Player in Dean’s Hamlet, both company premieres, as well as returns to the production of Elektra. Shelton owned the final scene, as his character descended into despair fueled by psychotic obsession. Opera News praises tenor Chad Shelton for one of his trademark roles, claiming that his “Don José was the dramatic heart of this production this was a performance that grew in complexity as he struggled to reconcile the forces of loyalty, lust and fate.
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